The return of William Orbit: where has it been over the past ten years? | OUTInPerth
William Orbit has had a long career in the music industry, from creating underground dance music to collaborating with Madonna, Pink, Blur, U2, Britney Spears, Beth Orton on top of the charts.
At the dawn of the millennium, he was one of the world’s most in-demand producers, and his collaborations with the biggest names in music brought him a legion of fans who discovered Orbit’s magnificent sound-filled albums. ambient, house and trance.
However, over the past decade Orbit has been mostly silent. He seemed to be gone, but now that his first music in seven years has been released, he has explained where he had gone and how he came back.
Starbeam, her first release on the new Anjunadeep label, was released on Friday. It opens with a cascading piano line that is quickly enveloped in electronic textures before slowly moving on to a psychedelic mix of intriguing sounds that rise and fall against the melody.
An extended version mixed by Shocklee follows a similar pattern to the single version, but draws the musical experience of nearly ten minutes. The song will be featured on an upcoming EP, which will be released on December 1, which will include three more new songs, as well as an additional instrumental version of a track.
In an interview with Kate Hutchinson at The Guardian, coinciding with his return to the music industry, Orbit shared a hedonistic life of excess, and drug use triggered mental health issues that ultimately led to him being sent to a mental health facility.
The 65-year-old music producer said that in his early 60s he returned to England after spending several years in Los Angeles and found himself with a crowd of revelers.
âInstead of worrying about my career, I could just be a hedonist,â he says. âI had never had coke before and in a short time, I would be the guy who could do the most. And then I went to festivals and did LSD, mushrooms, MDMA, coke, hormones that everyone was experimenting with. Codeine. I wasn’t aware of what I was doing and ended up having a psychotic episode.
Experiencing a psychotic episode did not change his behavior, it continued for several years before finally being hospitalized.
While in the past, Orbit’s own music took a back seat to his collaborations with superstar artists, he says he now focuses on the people who hear the music he wants to make.
Listen to his new music.
William Orbit’s outings to discover
Chances are you’ve heard a lot of songs that William Orbit wrote or produced. Here is our recommendation for some albums he has created or participated in that you should listen to.
BassOmatic – Set the Controls for the Heart of the Bass (1991)
This group presented Orbit and made two excellent dance music albums in the early 90s. At a time when artists like Soul II Soul, Neneh Cherry and Massive Attack were pushing forward a mix of house, reggae, hip-hop sounds. and soul, this album fits perfectly in this vein.
William Orbit – Strange Cargo Hinterland (1995)
Orbit made a stack of albums in the 1980s and started their Strange Cargo album series. This is the fourth in the series and it includes a version of the song She Cries Your Name with Beth Orton. Orton would later release his own distinctly different version of the song.
Caroline – Lavelle Esprit (1995)
Cellist Carline Lavelle has worked with Peter Gabriel, Massive Attack, Fun Boy Three, Radiohead and many more. She teamed up with Orbit for her debut album. If you like Orbit’s collaborations with Madonna, you’ll find similar sounds on this record.
Madonna – Ray of Light (1998)
Often hailed as the greatest album of Madonna’s career, this comeback record from 1998 brought the singer back to the top of the charts and delivered some of her most personal song lyrics. Orbit was the co-producer alongside Madonna on the entire album and helped write about half of the songs.
Blur – 13 (1999)
For their sixth album, British band Blur created something distinctly different from their previous Britpop works. Orbit oversaw the recording of this record filled with experimental approaches, psychedelic sounds and electronic influences. The album’s first single, Tender, is a subtle ballad with a gospel choir.
William Orbit – Modern Style Pieces (2000)
When this album was first released in 1995, it was quickly withdrawn due to copyright issues. He reappeared with a new tracklist five years later. Here Orbit delivered electronic versions of famous classic pieces taking them into trance territory. His interpretation of Samuel Barber’s Adagio for strings * was the record’s great success.
OIP staff, image: Rankin